Every summer, I try to step away from the day-to-day and head to the island with my family. We’ve just wrapped up a few wonderful weeks spent on Chappaquiddick (or "Chappy" if you know, you know), tucked just off the coast of Edgartown, with a little time in Nantucket sprinkled in for good measure.

I worked remotely while soaking up the salty air, sharing sun-drenched afternoons with my family, laughing with mom friends who made the trek, and enjoying a dreamy overnight visit with a friend in Sconset.

But let’s be honest—once a designer, always a designer. And I couldn’t help but bring home a camera roll full of inspiration and a head full of ideas.

This year for Spring Break, my husband and I are taking our two kids, Henry (6) and Edie (3), on an adventure to some of Europe’s most iconic cities. The inspiration? Their growing curiosity about the world—fueled by their school lessons and one of their favorite books, Richard Scarry’s Busy, Busy World.

Nestled in the rugged beauty of the Sonoran Desert, Taliesin West is more than just architecture; it’s a living dialogue between vision and execution. On my recent visit, I was reminded of why Frank Lloyd Wright’s work resonates so deeply with our approach to design. Taliesin West embodies the balance between big-picture vision and the details that bring it to life—a balance we strive for in every project we undertake.

Travel doesn’t just influence the way I design—it changes the way I see the world, and that perspective naturally finds its way into my work. It’s in the unexpected use of color, the thoughtful layering of textures, and the way I think about the flow of a space.